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The level of Czech rhythmic gymnastics during the 2022-2024 Olympic cycle
Kadlečková, Natálie ; Holá, Iveta (advisor) ; Novotná, Viléma (referee)
In this bachelor's thesis a level of Czech and world rhythmic gymnastics was compared using video-based observation method of free routines performed by selected rhythmic gymnasts in senior category, specifically free routines with ball and clubs. Title: The level of Czech rhythmic gymnastics during the 2022-2024 Olympic cycle Objectives: The aim of the bachelor's thesis is to assess and compare the established difficulty of free routines based on internationally valid FIG rules for selected gymnasts. Methods: The observed file consists of 3 rhythmic gymnasts. Each of them was analysed for free routines with ball and clubs. Thus, a total of six routines were assessed with the help of experts and then compared with each other. Results: The results of selected free routines analysis are summarized in simple charts. The analysis of the routines was firstly performed individually for each gymnast and then the results were compared with each other. The findings relate primarily to the content and overall difficulty of the routine. The observed difference in the level between the world's best gymnast and the Czech representative provides an incentive to reflect on the top-level preparation of Czech rhythmic gymnasts. Keywords: artistry, ball, clubs, current rules, difficulty, execution, gymnastic...
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Concerto for Piano and Orchestra in G Minor, op. 33, by Antonín Dvořák - Early and Final Version
Šmídová, Ludmila ; Gabrielová, Jarmila (advisor) ; Kachlík, Jan (referee) ; Ottlová, Marta (referee)
Ph.D. Thesis Abstract Piano Concerto in G Minor, op. 33, by Antonín Dvořák - Early and Final Version Critical Edition of the Score // Study about the Origin, the First Printing and the Performance Practice The dissertation is focused on the Concerto for Piano by Antonín Dvořák from 1876 - an outstanding composition not only in the Czech milieu but in all the European context as well - , which was a very long time condemned for its "unsuitable" piano part. The thesis summarizes all existing knowledge of the history of the origins and reception of the Dvořák's Piano Concerto, which is further verified on the basis of written contemporary sources (Dvořák's correspondence and contemporary press, sometimes yet unknown). Distorted and false pieces of information are corrected and supplemented with new findings (relating to the performances, interpreters, arrangements). Thanks to them, the author presents a new sight of the history of the reception of this composition from inception until the beginning of present century. For the first time all musical sources are examined in detail and relations between them studied (autograph with revisions between years 1876-1883, a copy of the score, which Leoš Janáček let made in 1878/9 and materials of the first printing J. Hainauer from 1883). Then author draws attention to...
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